Prev / Next

African Art / Works from the Swiss collection of Walter Schwab

Wednesday 13 October 2021, 05:00 PM • Milan

29

DOGON Mali, region of Bandiagara

Estimate

€ 4.000 - 6.000

Un utente ha offerto

La tua offerta è la più alta

Information

h 41.5 cm
Dance mask.
Wood covered with a crusted mixture of black and white paint, signs of use and traces of erosion across the mask, indigenous restorations.
A large crest-shaped nose divides the mask in two parts. The mouth is a protruding cone, and the eyes are two triangular crevices.This is a variety of the famous Kanaga mask without the superstructure.According to Marcel Griaule’s research, these masks were associated with the worship of deceased ancestors. They were worn during mourning ceremonies. The dancers were hidden by a colourful raphia garment, with the mask attached to the face.
Publications:
Sculpture featured in:
BALLARINI ROBERTO & CECIONI EUGENIO "Maschere e Gioielli dei Dogon" Exhibition catalogue from Villa Pacchiani, Santa Croce sull'Arno, Pisa, June 2004, fig. 2 (486);

Provenance

Former collection of Renato Patetta, MilanWork acquired by him in Mali around 1980. From the indications gathered at the place, the mask was sculptured a long time ago;
Private collection (1999)

Exhibition

Mask exhibited in Santa Croce sull’Arno, Pisa, June 2004;

Literature

IMPERATO PASCAL JAMES, Dogon Cliff Dwellers, New York 1978, pag. 39 (66);
BILOT ALAIN & BOHOBOT MICHEL & CALAME-GRIAULE GENEVIEVE & NDAYE FRANCINE, Masques du pays Dogon, Paris 2003, Edizioni Adam Biro (424);
LEUZINGER ELSY, Art de l’Afrique Noire, Paris 1979, n° 236 (65);

Contact

arteafricana@finarte.it 02 3363801 Text us on WhatsApp

Condition report

To request a Condition Report, please contact arteafricana@finarte.it The department will provide you with a general report of the condition of the property described above. Please note that what Finarte declares with respect to the state of conservation of the objects corresponds only to a qualified opinion and that we are not professional conservators or restorers. We urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. We always suggest prospective buyers to inspect each lot to satisfy themselves as to condition during the exhibition days as indicated in the catalog.

More Lots