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Books, Autographs & Printis

Tuesday 11 November 2025 e Wednesday 12 November 2025, 03:00 PM • Rome

11

Manoscritto - Venezia - Loredan Leonardo, Doge,

Customs Commission, 1509

Estimate

€ 15.000 - 20.000

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€ 15.000

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Information

Parchment document of 53 leaves, two of which are blank (106 pages in total), in 4°, 255 x 170 mm., signed in the Doge's Palace of Venice on 1 October 1509, at the end a Tabula Presentis Commissionis divided into two parts, first leaf with an elegant border with floral motifs painted in gold, red, green, blue and violet, three medallions containing the Lion of Venice, the coat of arms of the Moro family, an image of Christ with a Franciscan, text written in an extremely elegant cursive script enclosed within a red-lined script, contemporary leather binding with blind frames on the covers and gold decorations in the Aldino style, with palmettes, flowers, lozenges etc. Ex libris on the inside cover: "Caroli Vicecomitis Caburri March.nis".

Specialist Notes

A rare and fascinating doge's commission concerning a Muda to Baruthi [Beirut] entrusted to Captain Giovanni Moro and sponsored by Pietro Antonio Morosini de Giusto, Pietro Polani de Giacomo, and Battista Boldù de Antonio. The text is composed of 198 chapters, the first 87 in Latin, the subsequent 87 in Venetian, with the incipit: "It is essential that we ensure that our galleys are sent on their usual voyages and for the perils of the sea. It is also necessary that, in the name of the Holy Christ and in good grace, they be placed and sent on the voyage of Baruthi galleys...". The dating is interesting: the Muda took place just 4 months after the terrible defeat of Agnadello (17 May 1509), which had led to the almost total loss of the Venetian mainland. In a terrible year like 1509, the Venetians nevertheless managed to maintain their focus on commercial traffic, their true strength and source of wealth and international prestige. In Venice, the mude were organized by the state and distinguished themselves from completely private mercantile enterprises by being led by commanders of the Republic, in this case Giovanni Moro, and by officially representing its interests in the Levantine markets. The mude took their names from the principal regions in which they operated (Muda of Syria, Muda of Egypt, etc.), and the term itself (muda, meaning "move") was inspired by their periodicity (arrivals and departures occurred at specific times of the year), similar to that of migratory birds. These voyages, which originated in the 13th century, were gradually regulated over the course of the 14th century, becoming popular in the 15th century, and finally ending in the first half of the 16th century. After 1372, driven from Cyprus by the Genoese conquest of Famagusta, the Venetians made Beirut the terminus of the "Cyprus" muda: each year, three to six galleys were sent there, while Alexandria received an average of only three. Around 1400, Venetian investments in Egypt and Syria, for spices alone, reached over 400,000 dinars. The commission describes in detail the economic terms of this muda, offering interesting insights into Venetian mercantile economic history. It describes the freight rates, the Patrons' deposits, their obligations at various stages, the duties of the admirals, and so on. A precise regulation to be applied in every possible eventuality, demonstrating how scientifically ordered and organized trade in Venice was. This continued until the early decades of the 16th century, when the opening of new Atlantic routes following the discovery of America shifted the center of business away from the Mediterranean. An intriguing commercial document that has a POLITICAL VALUE when placed in its historical context: in 1509 Venice risked losing its independence but did not, however, give up its modern trade. Lot declared of notable historical interest by the Lazio Archival Superintendency

Condition report

To request a Condition Report, please contact libriestampe@finarte.it The department will provide you with a general report of the condition of the property described above. Please note that what Finarte declares with respect to the state of conservation of the objects corresponds only to a qualified opinion and that we are not professional conservators or restorers. We urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. We always suggest prospective buyers to inspect each lot to satisfy themselves as to condition during the exhibition days as indicated in the catalog.

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