Information
Volume with 200 offset prints by various artists applied, contained in the original case
cm 59,6 x 53,3 x 13,8 | 23.5 x 21 x 5.4 in.
Howard Gilman, owner of the paper industry that bears his name was also a photographs' collector (which he later donated to the Metropolitan Museum of Art) and this volume, printed in only 1,200 copies, tells the story that begins with images from the late 19th century and ends with those from the 1960s. The preciousness of the volume lies in the fact that the 200 offset prints were not simply reproduced but applied on the pages.
cm 59,6 x 53,3 x 13,8 | 23.5 x 21 x 5.4 in.
Curated by Pierre Apranxine with Richard Benson's plates
Volume edited by White Oak Press
Howard Gilman, owner of the paper industry that bears his name was also a photographs' collector (which he later donated to the Metropolitan Museum of Art) and this volume, printed in only 1,200 copies, tells the story that begins with images from the late 19th century and ends with those from the 1960s. The preciousness of the volume lies in the fact that the 200 offset prints were not simply reproduced but applied on the pages.
Contact
Condition report
To request a Condition Report, please contact fotografia@finarte.it
The department will provide you with a general report of the condition of the property described above. Please note that what Finarte declares with respect to the state of conservation of the objects corresponds only to a qualified opinion and that we are not professional conservators or restorers.
We urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. We always suggest prospective buyers to inspect each lot to satisfy themselves as to condition during the exhibition days as indicated in the catalog.
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