Estimate
€ 500 - 1.000
Aggiudicato
Current bid Starting bid
€ 500
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At auction on Tuesday 20 October 2026 at 10:30
Information
pencil and tempera on cardboard
11,5 x 11,5 cm
Original illustration made by Cambellotti for "The Emerald Hedge" by Ettore Cozzani, published on page 197 by Bemporad in 1920. Cambellotti initially approached Art Nouveau, embracing its original and pioneering aspects expressed by the ideas of William Morris, before moving on to Futurism. Like Morris, he saw art as having a social, global, moralistic, and pedagogical purpose, aimed at making it accessible to all, and like the English artist, he became a shining example of the artist-craftsman par excellence. Considered one of the most brilliant examples of Art Nouveau in Italy, Cambellotti was a painter, sculptor, ceramist, set designer, designer, architect, and printmaker, but it was perhaps in illustration that all the artistic expressions he explored throughout his career converged. Traces of tape in the margins. Signed.
11,5 x 11,5 cm
Original illustration made by Cambellotti for "The Emerald Hedge" by Ettore Cozzani, published on page 197 by Bemporad in 1920. Cambellotti initially approached Art Nouveau, embracing its original and pioneering aspects expressed by the ideas of William Morris, before moving on to Futurism. Like Morris, he saw art as having a social, global, moralistic, and pedagogical purpose, aimed at making it accessible to all, and like the English artist, he became a shining example of the artist-craftsman par excellence. Considered one of the most brilliant examples of Art Nouveau in Italy, Cambellotti was a painter, sculptor, ceramist, set designer, designer, architect, and printmaker, but it was perhaps in illustration that all the artistic expressions he explored throughout his career converged. Traces of tape in the margins. Signed.
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Condition report
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