Information
pencil and ink on reassembled thin cardboard
24 x 35,5 cm
Original comic art made by Pratt for "Junglemen", page 188 of this long series set in the exotic ocean regions of eastern New Guinea and New Caledonia, published for the first time in 1950 in the Argentine weekly Salgari and later reassembled by Pratt himself (during his stay in Argentina) for the pages of the weekly Misterix n. 748 of 1963. In Italy it was published in the magazine Sgt. Kirk between 1968 and 1969. A true choral novel in images born from the genius of Alberto Ongaro and the pen of Dino Battaglia (who drew the first 25 comic strips for the Uragano albums) and subsequently taken up and shaped by a young Hugo Pratt, becoming for him an important starting point for his brilliant career. << It's the most beautiful story I remember in comics, so important that it influenced many other adventures. >> (H. Pratt).
24 x 35,5 cm
Original comic art made by Pratt for "Junglemen", page 188 of this long series set in the exotic ocean regions of eastern New Guinea and New Caledonia, published for the first time in 1950 in the Argentine weekly Salgari and later reassembled by Pratt himself (during his stay in Argentina) for the pages of the weekly Misterix n. 748 of 1963. In Italy it was published in the magazine Sgt. Kirk between 1968 and 1969. A true choral novel in images born from the genius of Alberto Ongaro and the pen of Dino Battaglia (who drew the first 25 comic strips for the Uragano albums) and subsequently taken up and shaped by a young Hugo Pratt, becoming for him an important starting point for his brilliant career. << It's the most beautiful story I remember in comics, so important that it influenced many other adventures. >> (H. Pratt).
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Condition report
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The department will provide you with a general report of the condition of the property described above. Please note that what Finarte declares with respect to the state of conservation of the objects corresponds only to a qualified opinion and that we are not professional conservators or restorers.
We urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. We always suggest prospective buyers to inspect each lot to satisfy themselves as to condition during the exhibition days as indicated in the catalog.
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