Francesco Radino uses black and white as color in the same measure, maintaining in both cases the tones of that delicacy that well interprets his polite style and always crossed by a vein of irony. These two works well represent his way of observing reality: it is no coincidence that one of his monographic books is well entitled Modus videndi. A beach, an arm that widens and, despite occupying only a small portion of space, allows all the attention on itself. With few, and apparently not very significant details, Radino knows how to construct a photograph full of many suggestions. To shoot Piazza Duomo, he chooses an unusual composition that escapes the predictable: he decides not to put the cathedral in the center, marking its presence with a reference that occupies the left side of the image and then focuses his attention on the open space overlooking the Royal Palace, observed slightly from above to emphasize its width.