Those who do not know photography are always a little surprised to discover that Enzo Sellerio was not only a great publisher but also an excellent photographer who is part of those authors who in the post-war period gave life to a real photographic school designed not so much and not only as a personal research, but above all to be published in magazines that in Italy in those years represented a great training ground and even an instrument of education and cultural struggle that moved parallel to cinema. In fact, these two shots shot in expressive black and white have a cinematic narrative tone. Poverty and wealth, everyday life and exceptionality, shy attitude and exhibited impudence confront each other in these two images that seem to dialogue with each other.