The two photographs we present here show with immediate effectiveness the two lines of expression that Nino Migliori has always pursued doing so, it should be noted, simultaneously. Included in the series “ Gente dell'Emilia,” part with “Gente del Nord” and “Gente del Sud” of the trilogy of neo-realist taste made in the 1950s, “Il tuffatore” at a certain point somewhat unexpectedly takes on a strong autonomy of its own until it becomes one of the best-known (and most requested) photographs of the Bolognese photographer also for its ability to combine the classicity of a graceful black and white with the originality of a shot with a bold contemporaneity. This splendid “Ossidazione”-we decide to call it by the term indicating the technique used to make it despite the fact that like every abstract work it proudly refuses a title- belongs to the wide and varied series of research pursued by Migliori. It ranges from those pulled out of history such as collages, photograms, cliché-verre, images made with pinhole and calotypes to Polaroid processing. This is without forgetting hydrograms, pyrograms, lucigrams, photographs made by candlelight or inserted in candles. To show that imagination knows no boundaries.